Hi, Iβm Holly.
An author and storyteller drawn to stories of beauty, grief, courage, belonging, nature, joy, creativity and the mysterious ways we transform and find ways to come home to ourselves and each other.
I write because stories have always been the place I go to try to understand what hurts, what heals, what survives, and what calls us back to our lives. My books often begin with a feeling I canβt fully explain, an image I canβt let go of, or a question that keeps glowing in the core of my heart.
Official bio
Holly Ringland is the internationally bestselling author of the novels The Lost Flowers of Alice Hart and The Seven Skins of Esther Wilding, and the bestselling non-fiction book The House That Joy Built. She writes a beloved and bestselling Substack, The Joy Rise, on the intersection of creativity and connection.
Hollyβs books have sold over 600,000 copies and have been published in over 30 international territories.
In 2021, Holly made her TV debut co-hosting the ABC TV factual series Back to Nature, which aired in prime time and to critical acclaim.
In 2023, The Lost Flowers of Alice Hart was adapted for an award-winning seven-part series starring Sigourney Weaver.
Hollyβs new novel, The World Beneath Her Feet, will be published by HarperCollins in Australia and New Zealand in 2026.
βOne of Australiaβs most precious, life-changing storytellers.β
β BOOKTOPIA, in their review of my second novelAn open letter to readers of
The Lost Flowers of Alice Hart
Before I share more, I want to begin with gratitude β especially to the readers who first found me through The Lost Flowers of Alice Hart, and who changed my life by calling back to me.
Dear Reader,
Itβs been twelve years since I wrote the first draft of The Lost Flowers of Alice Hart in 2014. Although I mostly managed the terror of writing it by convincing myself that no one would ever read it, there were still days at my desk when I couldnβt fool myself: I wanted this story to find its kin. I was driven by a deep, aching desire for connection. To use my voice. To roar the way I used to on childhood bushwalks, yelling the Dharug word cooee into the Australian bush, waiting with breath held to hear someone unknown and unseen, but on the same track, call cooee back. Iβm here. Youβre not alone. Thatβs what I hoped to feel in my writing; itβs what I hoped Alice and her story might offer others. But those hopes often felt so fragile that I could barely acknowledge them.
Whatβs happened since then has been anything but fragile.
This story has travelled further than I could have ever imagined, gathering generosity, connection, creativity, joy and courage along the way. Readers have shown me again and again what a book can become once it leaves a writerβs hands, how it can change lives. Maybe youβre one of those readers. Youβve written to me about your loves, longings, joys, scars and hopes. About grief, and fears carried and let go. About flowers, firestorms, lost homes, found homes and the slow work of returning to yourself. Youβve told me where you were in your life when Alice found you, and where youβve taken her. And youβve told me all the things she has given you: hope, courage, inspiration, kinship. In telling me these things, you havenβt only changed what this book means to me, youβve changed my life.
I wrote Lost Flowers because I needed to know if I could honour the stories inside me, calling to my soul to be written, even while I was terrified of writing them. I didnβt know then how vividly and powerfully that story in me could be brought alive by being read. Now I do. You, dear reader, are why Alice Hart lives. Your response to my first novel has transformed my solitary, trembling act of writing into something deep, communal and more spellbinding than wildflowers: connection. Because of you, Lost Flowers is no longer only mine. Itβs ours. We are connected through story.
As I write this letter, Iβm struck again by the power of stories. How they can hurt us, yet offer us safety. How they can entrap us, yet help us see ourselves and each other with more courage and tenderness. Stories ask us to slow down, to listen, to feel deeply. They draw us back to our humanity when the world feels loud and overwhelming. I believe, more fiercely than ever, that stories matter because they remind us how to be with each other with curiosity, care and grace.
Writing Alice Hartβs story taught me that unfathomable beauty can still grow from the hardest ground. Hope is an electric, stubborn force, a practice rather than a passing feeling. What this book has given me through your reading of it is something I will never stop being grateful for: youβve shown me the many astonishing forms courage and love can take.
Thank you for reading Lost Flowers, whether for the first time or the fifth. Thank you for carrying this story so fiercely and tenderly. And thank you, most of all, for whispering or roaring cooee back to me. Weβre here. Weβre full of joy and grief, fear and hope, and weβre not alone.
Have courage, take heart.
2026
βAs my writing teacher always said: Fiction is the lie that tells the truth truer.β
β TOM SPANBAUERThe stories I return to:
Again and again, I find myself returning to stories about beauty and damage, grief and love, sorrow and joy.
About women finding their voices. Landscapes that remember. Shame that does not end us. And courage that can arrive unexpectedly, persistently, sometimes years after we first needed it.
Through writing I return to nature, memory, creativity, family, lost loves, found loves, and the ways we continue to crack our hearts open, despite everything, and transform our lives in the process.
Through stories I return, always, to the question of how we keep a light on inside ourselves β and for each other.
Where my stories begin:
My stories usually find me first as an image or a thought, almost memory-like, before I understand them.
Sometimes they come as a landscape: a flower farm, a storm-lashed island, a house inside the imagination, a fossil waiting in stone. Sometimes they begin as a question I donβt know how to answer: what does beauty make possible? What do we inherit from the people who love us badly, bravely, imperfectly? What happens to the parts of ourselves we bury in order to survive?
I follow folklore, weather, colour, nature, memory, myth, grief, joy, and the strange, electric feeling of something asking to be written. I follow my heart. And once I get to my desk, I fight like hell through fear to stay there until my story is written β a process I regularly write about on The Joy Rise.
Trust yourself. Trust your story. All you can do is tell it true.
β from The Lost Flowers of Alice Hart
In May 2024, just before I turned 44, I had the honour of speaking about creativity, grace, and joy with the Sydney Writers Festival at City Hall, alongside beloved broadcaster, journalist and author, Julia Baird, hosted by acclaimed interlocutor, Michaela Kalowski.
This is an excerpt from our conversation, lightly edited for clarity.
MICHAELA: βAt the beginning of your book, The House That Joy Built, you write about this idea of a house that's inside of us, a house on our inner landscape where the light is always left on. Can you explain what you were describing?β
HOLLY: Iβm someone who was too scared to write for years because of trauma, grief, fear, and all of the things we all carry around with us, like our inner critics and so on. But when I was writing the opening chapters of The House That Joy Built, I started to think about what it feels like on the other side of that blockage. What it felt like in 2014 when I was writing Lost Flowers, and 2022 when I was writing Seven Skins.
And it felt like returning. It felt like returning to a place inside of myself that I hadn't viscerally felt or remembered since I was little. Whether weβre talking 14 years old, or younger, it was a place where, when I was little, I was never thinking about whether I was any good at play or creating. I was doing it because I enjoyed it so much.
That sense of returning reminded me of what it's like when we come home to a physical place, that for whatever reason, we haven't been able to access or visit for a long time. I thought about landscapes in my life that will call me back to them all my life, because I have loved them while I've been there. That's when I thought that, to me, returning to our imaginations and drawing creativity from there is coming back to our inner country.
And that 14-year-old that sat at her second-hand IBM? She was writing a mash-up of Baywatch fan fiction / River Phoenix love affair stories. It was 1994, everyone.β
[AUDIENCE LAUGHTER]
MICHAELA TO AUDIENCE: βAren't you just dying to read that?β
HOLLY (laughs): βComing back to the place that the 14-year-old in me wrote from - it's that feeling when you get home, at the end of a long day, a hard day, a long time away from home, and someone's left the light on for you so that you can see as you come in. That young version of myself knew that creativity was worth the joy it brought. Full stop. That was the purpose.
And that was the light that she left on for me.β
With a light left on*
* why I sign off every letter of The Joy Rise this way, and remind myself of this when writing feels impossible
Listen now:
Thereβs a certain kind of beauty that can only exist because of darkness.
β from The Seven Skins of Esther Wilding
Stories that stay with you
One of the deepest honours of my writing life has been seeing readers carry the stories of my novels into their own lives β through letters, messages, photos, flowers, rituals, memories and tattoos shared with me from around the world.
These are some of the deeply moving tattoos readers have shared with me, inspired by my novels. I treasure each photo more than I can say.
Shared with permission. Names withheld for privacy.
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Inspired by Alice Hart
Inspired by Esther Wilding
Sing with everything youβve got for everything that matters to you, to let in all the light you can. However you can.
β from The World Beneath Her Feet
In the weatherboard house a block from the sea, at seven years old I sat at my first, very own writing desk, and dreamed of writing stories so bright they might catch fire.
Join me at The Joy Rise:
Letters for creative courage and connection from my desk to you.
The Joy Rise is my online community, where I write to you about creativity, courage, beauty, fear, and the messy work of making a joyous, resilient life. Itβs where I connect with my readers, share first-to-know news, and answer questions about my books and the creative process.
Thank you for supporting my work.
I donβt get to be the author I am without my readers. Iβm deeply grateful for your engagement with my writing.
With a light left on,